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DiGiCo | X-SD10B-W-WS-SMOP - SD10 Digital Mixing Bundle - Broadcast Package with BNC MADI and Single-Mode HMA Optical | DiGiCo

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SD10B Control Surface - MADI and One Single-Mode Optics HMAConnections: MADI x 2, Optics x 1, Internal Waves CardConnectors: BNC, HMAIncluded: Broadcast Software The trusted choice of engineers the world over, the SD10 delivers a wealth of flagship features derived from the market-leading SD7, plus substantial audio firepower in a fully-loaded console that has become a mainstay of modern mixing. Driven by Stealth Digital Processing and floating-point Super FPGA technology, the SD10 packs the power...

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DiGiCo | X-SD10B-W-WS-SMOP - SD10 Digital Mixing Bundle - Broadcast Package with BNC MADI and Single-Mode HMA Optical | DiGiCo

DiGiCo | X-SD10B-W-WS-SMOP - SD10 Digital Mixing Bundle - Broadcast Package with BNC MADI and Single-Mode HMA Optical | DiGiCo

SD10B Control Surface - MADI and One Single-Mode Optics HMA
Connections: MADI x 2, Optics x 1, Internal Waves Card
Connectors: BNC, HMA
Included: Broadcast Software

The trusted choice of engineers the world over, the SD10 delivers a wealth of flagship features derived from the market-leading SD7, plus substantial audio firepower in a fully-loaded console that has become a mainstay of modern mixing.

Driven by Stealth Digital Processing and floating-point Super FPGA technology, the SD10 packs the power and flexibility to meet even the most demanding requirements. Ease of operation is assured with three banks of 12 motorised faders and one master fader, each with its own high resolution LED bar graph meter. All functions are quick to hand courtesy of the centrally located 15-inch backlit colour-keyed TFT touchscreen.

With the SD10, flexibility comes as standard: recall or save presets on the channel strip; recall or save snapshots using the master screen or simply use the dedicated switches on the surface. Special functions can be assigned and accessed instantly via 40 Smart Key Macros, accessed via four layers of 10 RGB backlit keys.

Under The Hood
With 144 processing channels at 48kHz/96kHz, the SD10 packs the muscle to handle the most challenging of shows.

Standard channel processing across inputs and outputs includes Channel Delay, Single and Multi-Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection and DiGiCo’s renowned DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).

You will also benefit from 218 Dynamic EQ processors, all of which can be assigned to any input or output channel, delivering dynamic processing over the four standard parametric bands, plus 218 Multiband Compressors and 218 DiGiTuBes.

All channels deliver the same pure signal path and feature set, so no matter how you set up your console, you never lose any resources. Within the master section are 24 gangable 32-band graphic EQs, 24 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs). Using snapshots, engineers can switch between complete configurations at a touch.

In addition, the SD10’s 64 busses can be configured as groups or auxiliary busses, while even more configurability is delivered by a 24 x 24 output matrix, dual solo busses, and a Master buss. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O
An abundance of I/O can be found on the rear of the SD10, including eight mic line inputs, eight line outputs, eight mono AES I/O, two MADI connections with redundant cabling connections; and 16 GPI and GPO connections – expandable to 32.

The SD10 also works seamlessly with the DiGiCo SD-Rack, which delivers up to 192kHz high resolution analogue conversion. This opens the door to a wealth of interfacing options and enhanced flexibility: when used with the Optocore interface, up to 14 SD-Racks and five redundant engine consoles can connect to one optical loop for an incredible 1,152 I/O connections (56 inputs and 56 outputs per SD-Rack). That’s enough to comfortably mix a Philharmonic orchestra.

Get instant access to 32 fully integrated low-latency Waves stereo MultiRacks, each with up to eight plug-ins per rack, by fitting an optional DiGiCo SoundGrid module linked to external SoundGrid or DiGiGrid servers, giving a total of 128 additional I/O.

Product Specs

General Specifications
Faders 37 x 100mm Touch-Sensitive, Motorised
Screens 1 x 15” (38cm) LCD High – Resolution Touch Screen
Meters 38 x 20-Segment LED Bargraph
Input Channels 144
Busses 64 assignable that can be configured as groups / auxiliary busses + LR/LCR/LCRS/5.1 Master Buss
Solo Busses 2 Stereo Busses
Matrix 24 x 24 Matrix (Additional to Busses Above)
Control Groups 24, Selectable for VCA-style, Moving Fader, Mute Group
Graphic EQ 24 x 32-band, Gain +/- 12dB
Internal FX 24 Stereo FX Processors
Local I/O 8 x Mic/Line I/O, 8 x AES/EBU I/O (Mono)
MADI Interface 2 Redundant Interfaces, 75 Ohm BNC Connectivity
Standard Optics
MIDI Interface In / Out / Thru
VGA Port DB-15 Mini-Female (1024 x 768 Resolution)
USB Ports 3 x USB 2
Light Connection 2 x XLR3 1.2 – 12V
Ext Sync Word Clock, AES, MADI, Optics
Headphone TRS Unbalanced / 8-600 Ohms 1/4 Inch Jack
GPIO 2 x DSub37
SD10 Dimensions 1398mm (w) x 818mm (d) x 285mm (h)
SD10 Weight 60Kg/132lbs (175Kg/385.80lbs with Optional Flightcase)
SD10 Flightcase 1586mm (w) x 1158mm (h) x 504mm (d) Weight 115Kg/253.53lbs (Optional)
SD10 Power Requirements 90-264 VAC, 47-63Hz Auto Sensing.235 watts
Audio Specification
Sample Rate 48kHz, 44.1kHz or 96kHz
Processing Delay 2ms Typical @ 48k (72 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @96k
Internal Processing Up to 40-bit, Floating Point
A>D & D>A 24-bit Converter Bit Depth
Frequency Response +/- 0.6dB (20Hz – 20kHz)
THD <0.05% @ Unity Gain,: 10dB Input @ 1kHz
Channel Seperation Better Than 90dB: (40Hz – 15kHz)
Residual Output <90dBu Typical
Noise (20Hz – 20kHz)
Microphone Input: Better Than -126dB: Equivalent Noise
Maximum Output Level +22dBu
Maximum Input Level +22dBu
Processing Channel Specification
Input Channel
Name User-Defined / Presets
Channel Selection Mono / Stereo / Multi
Input Routing Main & Alternate Input
Analogue Gain -20 to +60dB
Phase Normal / Reverse
Digital Trim -40 to +40dB
Delay >1 Sec (Coarse & Fine Control)
DiGiTuBe Drive 0.01 – 50.0
Bias 0 – 6
LPF 20 – 20kHz, 24dB/Oct
HPF 20 – 20kHz, 24dB/Oct
Insert A (Pre EQ/Dyn) On/Off
Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Dynamics 1 Single or Multiband (3-Band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft De-Esser: Threshold : 20us – 20ms
Release : 1ms – 100ms
Ratio : 1:1 – 50:1
Ess-Band : Listen On/Off
Ess-Band Filter Freq / Width: 20Hz – 20kHz
Dynamics 2 On/Off Gate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any Source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Insert B (Post EQ/Dyn) On/Off
EQ/Dyn order EQ/Dyn or Dyn/EQ
Mute Channel Mute / Hard Mute
Solo Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs, Full Safe
Output Routing Buss, Insert A, Insert B, FX
Direct On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
Fader 100mm Motorised Fader ∞ to +10dB
Processing Channel Specification
Aux / Group / Matrix Output
Name User-Defined / Presets
Phase Normal / Reverse
Digital Trim -20 to +60dB
Delay >1 Sec (Coarse & Fine control)
DiGiTuBe Drive 0.01 – 50.0
Bias 0 – 6
LPF 20 – 20kHz, 24dB / Oct
HPF 20 – 20kHz, 24dB / Oct
Insert A (Pre EQ/Dyn) On/Off
Equalisation 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Dynamics 1 Single or Multiband (3-band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft De-Esser: Threshold: 20us – 20ms
Release: 1ms – 100ms
Ratio: 1:1 – 50:1
Ess-Band: Listen On/Off
Ess-Band Filter Freq/Width: 20Hz – 20kHz
Dynamics 2 On/Off Gate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Insert B (Post EQ/Dyn) On/Off
EQ/Dyn Order EQ/Dyn or Dyn/EQ
Mute Channel Mute / Hard Mute
Solo Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
Output Routing Outputs, Insert A, Insert B, FX
Fader 100mm Motorised Fader ∞ to + 10dB
For further assistance or questions please contact a Whoisblest Specialist by typing "Help" in our chatbox. We look forward to hearing from you.

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