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DiGiCo | X-SD11IB-WS-SMOP - SD11B Compact Digital Mixer - Broadcast Package with BNC MADI and Single-Mode HMA Optical | DiGiCo

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DiGiCo SD11iB Control Surface - MADI and One Single-Mode Optics HMAConnections: D-MADI, MADI x 1, Optics x 1Connectors: EtherCON, BNC (Surface), HMAIncluded: Broadcast Software Bringing the firepower of seventh generation FPGA technology to the world’s most challenging and fast-paced broadcast environments, the SD11B packs unprecedented processing firepower into a 19-inch rack mount or table top format. Small enough to carry on the road or squeeze into the tightest of studio environments, the SD11B is as...

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DiGiCo | X-SD11IB-WS-SMOP - SD11B Compact Digital Mixer - Broadcast Package with BNC MADI and Single-Mode HMA Optical | DiGiCo

DiGiCo | X-SD11IB-WS-SMOP - SD11B Compact Digital Mixer - Broadcast Package with BNC MADI and Single-Mode HMA Optical | DiGiCo

DiGiCo SD11iB Control Surface - MADI and One Single-Mode Optics HMA
Connections: D-MADI, MADI x 1, Optics x 1
Connectors: EtherCON, BNC (Surface), HMA
Included: Broadcast Software

Bringing the firepower of seventh generation FPGA technology to the world’s most challenging and fast-paced broadcast environments, the SD11B packs unprecedented processing firepower into a 19-inch rack mount or table top format.

Small enough to carry on the road or squeeze into the tightest of studio environments, the SD11B is as remarkable for its full feature set as it is for its diminutive footprint. With its steel chassis and polycarbonate-overlaid aluminium worksurface enveloping the trademark 15-inch TFT LCD touch screen and 12 touch-sensitive moving faders, the SD11B is the very epitome of strength and flexibility.

Under The Hood
The SD11B boasts 80 Channels at 48kHz or 96kHz, with the ability to create multi channels for 5.1 or more complex input configurations. Standard channel processing across both inputs and outputs includes Channel Delay, Single and Multi-Channel Presets, Hi- and Lo-pass filters @ 24dB/octave, six-band parametric EQ with band curve selection, Dual insert points, DiGiCo’s DYN 1 (Compressor, De-esser or Multi Band Compressor) and DYN 2 (Gate, Compressor or Ducker).

The console also benefits from 118 powerful assignable Dynamic EQ processors, working on each of the four standard parametric bands, plus there are also 118 Multiband Compressors and 118 DiGiTubes; regardless of how the console is set up, you won’t lose any resources as all channels deliver the same pristine signal path and feature set.

The master section incorporates 12 gangable 32 band graphic EQs, 8 stereo effects, and eight control groups (VCAs); using snapshots, you can switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even mid-show.

The console’s 24 busses are assignable as mono/stereo groups or auxiliaries, and a 12×8 output matrix, dual solo busses for PFL and on-air soloing in mono, stereo LCRS and 5.1; and an LR/LCR/LCRS/5.1 Master buss are available for even deeper configurability. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O
The SD11B sports a mighty local I/O section, including 16 mic/line inputs, eight line outs, two mono AES/EBU, one MADI port, and one dedicated D-Rack port. The console connects seamlessly with the DiGiCo 32 input, 8-output (expandable to 16) remote I/O D-Rack, while a factory-fit Optocore option connects to all DiGiCo racks and consoles in a redundant loop.

Get instant access to 32 fully integrated low-latency Waves stereo MultiRacks, each with up to eight plug-ins per rack, by fitting the optional DiGiCo SoundGrid module linked to external SoundGrid or DiGiGrid servers, giving a total of 128 additional I/O.

Product Specs

General Specifications
Faders 12 x 100mm touch-sensitive, motorised
Screens 1 x 15” (38cm) LCD high – resolution touch screen
Meters 12 x 8-segment LED bargraph
Input Channels 48
Busses 24 + LR or LCR master
Solo busses 2 stereo busses
Matrix 8 x 8 matrix (additional to busses above)
Control Groups 8, selectable for VCA-style, Moving fader, Mute Group
Graphic Eq 12 x 32-band, Gain +/- 12dB
Internal FX 6
Local I/O 16 x mic/line on, 8 Line out, 2x AES/EBU I/O (mono)
MADI interface 2 x 75 ohm BNC connectivity
D-Rack interface 1 x RJ45 shielded connectivity
MIDI interface In / Out / Through
VGA port DB-15 mini-female (1024 x 768 resolution)
USB ports 3 x USB2
Light connection 1 x XLR3 1.2 – 12V
Ext Sync Word clock, MADI
Headphone TRS unbalanced / 8-600 ohms 1/4 inch Jack
GPI 2 x 1/4 inch Jack
GPO 2 x 1/4 inch Jack
SD11 Dimensions 483mm/19inch (w) x 577mm/22.7inch (d) x 232mm/9.1inch (h)
SD11 Weight 24Kg (53lbs)
D-Rack 412mm/16.22inch (w) x 312mm/12.3inch (d) x 179mm/7inch (h)
D-Rack Weight 7.4Kg (16lbs)
Audio Specification
Sample Rate 48kHz or 96kHz
Processing Delay 2ms Typical @ 48k (48 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @ 96k
Internal Processing Up to 40-bit, Floating Point
A>D & D>A 24-bit Converter Bit Depth
Frequency Response +/- 0.6dB (20Hz – 20kHz)
THD <0.05% @ Unity Gain,: 10dB Input @ 1kHz
Channel Seperation Better Than 90dB: (40Hz – 15kHz)
Residual Output <90dBu Typical
Noise (20Hz – 20kHz)
Microphone Input: Better Than -126dB: Equivalent Noise
Maximum Output Level +22dBu
Maximum Input Level +22dBu
Processing Channel Specification
Input Channel
Name User-Defined / Presets
Channel Selection Mono / Stereo / Multi
Input Routing Main / Alternate Input
Analogue Gain -20 to +60dB
Phase Normal / Reverse
Digital Trim -40 to +40dB
Delay >1 Sec (Coarse & Fine Control)
DiGiTuBe Drive 0.01 – 50.0
Bias 0 – 6
LPF 20 – 20kHz, 24dB/Oct
HPF 20 – 20kHz, 24dB/Oct
Insert A (Pre EQ/Dyn) On/Off
Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/ Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Dynamics 1 Single or Multiband (3-Band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, SoftDe-Esser: Threshold : 20us – 20ms
Release : 1ms – 100ms
Ratio : 1:1 – 50:1
Ess-Band : Listen On/Off
Ess-Band Filter Freq / Width: 20Hz – 20kHz
Dynamics 2 On/OffGate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any Source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Insert B (Post EQ/Dyn) On/Off
Mute Channel Mute / Hard Mute
Solo Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs, Full Safe
Output Routing Buss, Insert A, Insert B, FX
Direct On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
Fader 100mm Motorised Fader ∞ to +10dB
Processing Channel Specification
Aux / Group / Matrix Output
Name User-Defined / Presets
Phase Normal / Reverse
Digital Trim -20 to +60dB
Delay >1 Sec (Coarse & Fine control)
DiGiTuBe Drive 0.01 – 50.0
Bias 0 – 6
LPF 20 – 20kHz, 24dB / Oct
HPF 20 – 20kHz, 24dB / Oct
Insert A (Pre EQ/Dyn) On/Off
Equalisation 4 Band Parametric or Dynamic
: Parametric Only
(Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Dynamics 1 Single or Multiband (3-band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, SoftDe-Esser: Threshold: 20us – 20ms
Release: 1ms – 100ms
Ratio: 1:1 – 50:1
Ess-Band: Listen On/Off
Ess-Band Filter Freq/Width: 20Hz – 20kHz
Dynamics 2 On/OffGate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Insert B (Post EQ/Dyn) On/Off
EQ/Dyn Order EQ/Dyn or Dyn/EQ
Mute Channel Mute / Hard Mute
Solo Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
Output Routing Outputs, Insert A, Insert B, FX
Fader 100mm Motorised Fader ∞ to + 10dB
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