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DiGiCo | X-SD12-96-WS - SD12-96 Digital Mixing Surface (BNC MADI and ST Optical Connections) | DiGiCo

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SD12 96 Control Surface - MADI on One Multi-Mode Optics STConnections: MADI x 2, Optics x 1, UB-MADI, DMI Port x 2Connectors: BNC, ST SD12 96: A True Sonic PowerhouseCompact in size but big on features, the SD12 96 raises the bar as a multi-application digital console at an exceptionally affordable price point. Not only is the SD12 96 a true sonic powerhouse, it is the first in the SD-Range to feature an integrated recording...

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DiGiCo | X-SD12-96-WS - SD12-96 Digital Mixing Surface (BNC MADI and ST Optical Connections) | DiGiCo

DiGiCo | X-SD12-96-WS - SD12-96 Digital Mixing Surface (BNC MADI and ST Optical Connections) | DiGiCo

SD12 96 Control Surface - MADI on One Multi-Mode Optics ST
Connections: MADI x 2, Optics x 1, UB-MADI, DMI Port x 2
Connectors: BNC, ST

SD12 96: A True Sonic Powerhouse
Compact in size but big on features, the SD12 96 raises the bar as a multi-application digital console at an exceptionally affordable price point. Not only is the SD12 96 a true sonic powerhouse, it is the first in the SD-Range to feature an integrated recording interface which makes virtual sound checking a snap.

Designed to provide optimum performance in live touring, corporate, install, house of worship, theatre and broadcast environments, the SD12 96 incorporates the latest generation Super FPGA technology and Core 2 software to deliver unrivalled power and connectivity in a compact frame.

Designed for even easier operation, the SD12 96’s new DVI display output provides an overview of the console, while brighter LED meters and a DiGiCo Lightbar ensure optimum visibility. Dual 15-inch touchscreens, two assignable master faders and advanced surface connectivity is provided in the form of optional DMI cards.

Under The Hood
The NEW SD12 96 boasts 96 channels at 48kHz/96kHz, delivering a wealth of functionality. Standard channel processing across both inputs and outputs includes Channel Delay, Single and Multi-Channel presets, Dual insert points Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).

On board are 119 Dynamic EQ processors which can be assigned to any of the input or output channels; 119 Multiband Compressors and 119 DiGiTuBes. All channels deliver the same pure signal path and feature set, so no matter how you set up your console, you never lose any resources. Within the master section are 16 graphic EQs, 12 digital effects, and up to 12 control groups (VCAs). Using snapshots, engineers can switch between complete configurations at a touch.

The SD12 96’s 48 busses are assignable as sub-groups or auxiliaries, while further configurability comes courtesy of a 12×8 output matrix, dual solo busses, and a Master buss. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O
The SD12 96’s extensive local I/O section offers eight mic line inputs, eight line outs, eight mono AES/EBU and dual MADI in/out. The SD12 96 comes complete with dual DMI (DiGiCo Multichannel Interface) option card slots, perfect for expandability with industry formats such as Analogue expansion, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network.

Users can also choose a factory-fit Optocore option which allows for connectivity to all DiGiCo racks and consoles in a redundant loop, and a DiGiCo SoundGrid DMI module giving instant access to 32 fully integrated low-latency Waves stereo MultiRacks.

Product Specs

General Specifications
Faders 26 x 100mm touch-sensitive, motorised
Screens 2 x 15” LCD high – resolution touch screens
Input Channels 96
Busses Up to 48 plus masters Aux / Group busses with full processing Mono / Stereo / LCR
Matrix Up to 12 Input / 8 Outputs with full processing
Control Groups Up to 12, selectable for VCA-style, Moving fader, Mute Group
Graphic Eq 16 x 32-band, Gain +/- 12dB
Internal FX Up to 12 stereo effects comprising of reverbs and delay/chorus/pitch/enhancer
Local I/O 8 x mic/line I/O, 8 x AES I/O
MADI interface 2 Interfaces, BNC connectivity
Optic interface Optional
Sampling rates 48kHz / 96kHz
GPIO 2 x DSub37
DMI 2 x DiGiCo Multichannel Interface
Ext Sync Wordclock, AES, MADI, Optics
SD12 Dimensions 1124 mm (w) x 795 mm (d) x 389 mm (h)
SD12 Weight 42Kg / 96lbs.(130Kg / 287lbs. with optional flightcase)
SD12 Flightcase 1270 mm (w) x 570 mm (d) x 1150 mm (h)
SD12 Power Requirements 90V-260V, 50-60Hz, 150VA. (140W)
Audio Specification
Sample rate 96kHz or 48kHz
Processing delay 1ms Typical (channel, SD-Rack input through L-R buss to stage output @96kHz)
Internal processing Up to 40-bit, floating point A>D & D>A 24-bit Converter Bit Depth
Frequency response +/- 0.6dB (20Hz – 20kHz)
THD <0.05% @ unity gain, 10dB input @ 1kHz
Channel Seperation Better than 90dB (40Hz – 15kHz)
Microphone Input Better than -126dB Equivalent Noise
Maximum Output Level +22dBu:
Maximum Input Level +22dBu:
Processing Channel Specification
Input Channel
Name User-Defined / Presets
Channel Selection Mono / Stereo / Multi
Input Routing Main & Alternate Input
Analogue Gain -20 to +60dB
Phase Normal / Reverse
Digital Trim -40 to +40dB
Delay >1 Sec (Coarse & Fine Control)
DiGiTuBe Drive 0.01 – 50.0
Bias 0 – 6
LPF 20 – 20kHz, 24dB/Oct
HPF 20 – 20kHz, 24dB/Oct
Insert A (Pre EQ/Dyn) On/Off
Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Dynamics 1 Single or Multiband (3-Band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft De-Esser: Threshold : 20us – 20ms
Release : 1ms – 100ms
Ratio : 1:1 – 50:1
Ess-Band : Listen On/Off
Ess-Band Filter Freq / Width: 20Hz – 20kHz
Dynamics 2 On/Off Gate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any Source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Insert B (Post EQ/Dyn) On/Off
EQ/Dyn order EQ/Dyn or Dyn/EQ
Mute Channel Mute / Hard Mute
Solo Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs, Full Safe
Output Routing Buss, Insert A, Insert B, FX
Direct On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
Fader 100mm Motorised Fader ∞ to +10dB
Processing Channel Specification
Aux / Group / Matrix Output
Name User-Defined / Presets
Phase Normal / Reverse
Digital Trim -20 to +60dB
Delay >1 Sec (Coarse & Fine control)
DiGiTuBe Drive 0.01 – 50.0
Bias 0 – 6
LPF 20 – 20kHz, 24dB / Oct
HPF 20 – 20kHz, 24dB / Oct
Insert A (Pre EQ/Dyn) On/Off
Equalisation 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Dynamics 1 Single or Multiband (3-band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft De-Esser: Threshold: 20us – 20ms
Release: 1ms – 100ms
Ratio: 1:1 – 50:1
Ess-Band: Listen On/Off
Ess-Band Filter Freq/Width: 20Hz – 20kHz
Dynamics 2 On/Off Gate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Insert B (Post EQ/Dyn) On/Off
EQ/Dyn Order EQ/Dyn or Dyn/EQ
Mute Channel Mute / Hard Mute
Solo Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
Output Routing Outputs, Insert A, Insert B, FX
Fader 100mm Motorised Fader ∞ to + 10dB
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